Freestyle Releasing is a full-service,
theatrical motion picture
distribution company that
specializes in representing
independent companies, major
studios, and mini-major studios
on a “service-deal”
basis for the purpose of exhibiting
their films in a first class
theatrical release. The Principles
of Freestyle Releasing are
highly regarded and experienced
motion picture veterans with
a combined total of over a
century of respected work
in the industry.
It was the vision of Mark
Borde and Susan Jackson
to provide first-class,
studio-style distribution,
with the assurance to producers
that all revenue derived
from the theatrical exhibition
would flow directly to the
entity most at risk (the
producer/prints and advertising
funder). The time line for
film rentals back to the
producer, directly from
the theatres, would be greatly
enhanced. The perception
that movie distributors
provide “dishonest
accounting” and are
the only beneficiaries of
theatrical exhibitions is
eliminated under the service
deal agreement. Simply put,
Freestyle Releasing works
for a pre-determined flat
fee for the life of the
release.
For each project, Freestyle
will handle the initial
marketing and distribution
plans. They will put in
place highly regarded professional
teams or established companies
to handle the publicity,
promotion, media buying
and placement, and internet
marketing, and then direct
the entire team. Freestyle
Releasing then books all
the coordinates and controls
prints shipping throughout
the run, and handles all
holdovers and move-overs.
Freestyle settles all engagements,
collects and coordinates
the thousands of box office
reports and other paperwork
that is part and parcel
of the theatrical distribution
business. Freestyle then
collects all the film rentals,
immediately creates detailed
reports, and sends the collections
directly to the producers.
This year alone Freestyle
has and will release over
twenty titles into the mainstream
marketplace, more than most
studios in America. What
sets Freestyle Releasing
apart is its full service
commitment, giving the producer
the advantage of having
under its control a virtual
studio distribution company
without having to spend
one penny in distribution
overhead. They get the staff,
the computers, the very
expensive software, the
executives with their decades
of relationships with the
top theatrical circuits,
and so much more without
having to set up their own
“shop”, thereby
alleviating the risk-factor
while achieving a major
studio-grade theatrical
release.